installation view of   walking as I stand   six drawings and   axis   10.5 inches by 17.5 inches by 50ft  Douglas fir
 installation view of   walking as I stand   six drawings and   axis   10.5 inches by 17.5 inches by 50ft  Douglas fir
 installation view of   walking as I stand   six drawings and   axis   10.5 inches by 17.5 inches by 50ft  Douglas fir
   
  
 
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    But reverse the hourglass   2017 graphite and colored pencil on mat board 60 by 80 inches title from text by John Berger from “Into the Woods” (2006) published in Sublime, ed. by Simon Morley (2010) Whitechapel: Documents of Contemporary Art, MIT Press
   
  
 
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   half-dark of the enormous  2017 graphite and colored pencil on mat board 60 by 80 inches title from poem by Tomas Transtromer, “Romanesque Arches” (1989) translated by Robert Bly
   
  
 
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   any wind will tell you  2017 graphite and colored pencil on mat board 60 by 80 inches title from poem by Jorie Graham “WE” (2015)
   
  
 
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   to the next nearest there  2017 graphite and colored pencil on mat board 60 by 80 inches title attributed to William Wordsworth
   
  
 
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   moving a perhaps  2017 graphite and colored pencil on mat board 60 by 80 inches title from poem by E E Cummings “Spring is like a perhaps hand” (1923)
   
  
 
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   as though air could turn to honey  2017 graphite and colored pencil on mat board 59 by 102 inches  title from page 290 of Wanderlust: A History of Walking by Rebecca    Solnit (2001) Penguin Books
   
  
 
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   the small hours  2017 graphite and colored pencil on mat board 59 by 102 inches title from poem by Alice Oswald “Vertigo” from Falling Awake, (2016) W.W. Norton & Company
 studio view of  Axis  by Ginny Threefoot a poem in response to the work  
Axis_Ginny Threefoot.jpg
 studio view summer 2017 dry fit test for   axis  , a 50ft line of wood 20ft section shown here
 studio view summer 2017 wood stack - preparing for fabrication
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